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Senin, 08 Juli 2019

Free Download Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune

Free Download Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune

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Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune

Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune


Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune


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Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune

Describing the processes in stars which produce the chemical elements for planets and life, this book shows how similar processes may be reproduced in laboratories using exotic beams, and how these results can be analyzed. Beginning with one-channel scattering theory, the book builds up to multi-channel reactions. Emphasis is placed on using transfer and breakup reactions to probe structure and predict capture processes, as well as R-matrix methods for modeling compound nucleus dynamics described by Hauser-Feshbach methods. Practical applications are prominent in this book, confronting theory predictions with data throughout. The associated reaction program Fresco is described, allowing readers to apply the methods to practical cases. Each chapter ends with exercises so readers can test their understanding of the materials covered. Supplementary materials at www.cambridge.org/9780521856355 include the Fresco program, input and output files for the examples given in the book, and hints and graphs related to the exercises.

  • Sales Rank: #1769464 in Books
  • Published on: 2009-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x .94" w x 6.85" l, 2.40 pounds
  • Binding: Hardcover
  • 480 pages

Review
"The effort of the authors, both highly regarded experts in their respective fields, is certainly to be lauded and I am confident that the book will become essential reading for the experienced researchers in the field."
Marialuisa Aliotta, The Observatory

About the Author
Ian J. Thompson is a Nuclear Physicist in the Nuclear Theory and Modeling Group at the Lawrence Livermore National Laboratory, USA, having until 2006 been Professor of Physics at the University of Surrey, UK. His research deals with coupled-channels and few-body models for nuclear structure and reactions, especially concerning halo nuclei. He is a Fellow of the Institute of Physics.

Filomena Nunes is an Assistant Professor in the Department of Physics and Astronomy, and the National Superconducting Cyclotron Laboratory, at Michigan State University. Her research has focused mainly on direct nuclear reactions as a tool for nuclear astrophysics with particular emphasis in breakup and transfer.

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Nuclear Reactions for Astrophysics: Principles, Calculation and Applications of Low-Energy ReactionsBy Ian J. Thompson, Filomena M. Nune PDF
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Kamis, 13 Juni 2019

Get Free Ebook Stars Fell on Alabama (Library Alabama Classics)By Carl Carmer

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Stars Fell on Alabama is truly a classic. The book enjoyed enormous popularity and notoriety when it was first published (it was a selection of The Literary Guild and also sold widely in Europe). It can be described as a book of folkways—not journalism, or history, or a novel. At times it is impressionistic; at other times it conveys deep insights into the character of Alabama. Carmer visited every region of the state, always accompanied by someone intimately familiar with the locality. The mosaic that emerges from the pages of his book portrays Alabama’s human landscape in all its variety, and it is a work essential to an understanding of Alabama and its culture.

  • Sales Rank: #1298587 in eBooks
  • Published on: 2015-09-15
  • Released on: 2015-09-15
  • Format: Kindle eBook

Review
"Carmer reveals himself here as a writer of more than ordinary perceptiveness and imagination, with the power of extracting from what he sees, hears, and feels an essence which is fundamentally poetic."—New York Times

"The 'strange country' that Carmer visited hardly exists anymore save in his pages. Alabama is a healthier, richer, more just, and better-educated place. Yet whenever I read the dazzling initial image of the book--when I see through Carl Carmer's words a blood-colored moon and pine trees standing darkly against the sky--it is possible to understand the power of that old, dark magic."—From the Introduction by Howell Raines

About the Author

 

Carl Carmer,  a Harvard-educated New York state native, was one of America's most popular writers during the 1940s and 1950s with thirty seven books, documentary films, his own radio program, and four albums of regional songs to his credit. He taught at The University of Alabama for seven years during the 1920s.

Howell Raines, an Alabama native and former New York Times editorial page editor and Pulitzer Prize winner, is the author of My Soul Is Rested: Movement Days in the Deep South Remembered and Fly Fishing through the Midlife Crisis.

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Rabu, 12 Juni 2019

Free Download CourseMate for Hyndman/Hyndman's Natural Hazards and Disasters, 4th EditionFrom CourseMate

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Please check the ISBN that your instructor provided. If the ISNB-13 does not match this product (9781133597025) or its Printed Access Card equivalent (9781133597018) this may not be the correct product. In some cases, you may also require a course code from your Instructor.

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  • Sales Rank: #89378 in Courseware
  • Brand: CourseMate
  • Released on: 2013-01-02
  • Format: Download
  • Original language: English
Features
  • ISBN: 9781133597025
  • Access to this product is valid for 180 days after initial login. After this period, this product can be viewed under the "view expired" link in your CengageBrain account.

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Free Ebook InstrumentBy Pat Graham

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Instruments tell stories through their appearance as much as through their sound.

Pat Graham's photographs capture the intimate relationship between musician and instrument told by the signs of wear of fingers on frets or keys, chips, scratches, and modifications by the artists who have played, beaten on, bled over, and made them their own.

For more than ten years, Graham has been documenting these amazing instruments and collecting stories about them from musicians on the road, in clubs, and at home, including members of The Smiths, Sonic Youth, The Flaming Lips, R.E.M., New Order, Wire, Fugazi, Built to Spill, Band of Horses, Modest Mouse, Yeah Yeah Yeahs, and many more. His gritty and beautiful images reveal the physical nature of music.

  • Sales Rank: #1885714 in eBooks
  • Published on: 2011-12-16
  • Released on: 2011-12-16
  • Format: Kindle eBook

Review
"poignantly documents the true connection between the artist and his or her instrument, with photographs that are telling, and commentary that is personal and often revelatory." - Under the Radar

" A must-have coffee-table tome for the indie-rock set." -Guitar Aficionado

"Pat Graham's Instrument is a stunning collection of photographs and anecdotes, illustrating the intimate connection between musician and tool. Photographer Graham shows instruments as more than the sum of their parts; played, shredded and loved, perfected with blood, sweat and tears. Complete with a foreword by Johnny Marr, Instrument depicts these tools of the trade that were recorded and toured with, modified, and that ultimately became treasured heirlooms of members of The Smiths, Sonic Youth, Fugazi, Wilco and many more." - Filter Good Music Guide

About the Author
Pat Graham's photographs have appeared in numerous publications, including Rolling Stone, Spin, Artforum, The Village Voice, Washington Post, and VICE, among others. He lives in London.

Johnny Marr is one of the most influential guitarists of the last thirty years. A founding member of The Smiths, he has also played with The The, Electronic, Modest Mouse, The Cribs, and Johnny Marr and the Healers. He lives in Manchester, England.

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Rabu, 29 Mei 2019

Download Bad Girls of the BibleBy Barbara J. Essex

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Barbara Essex brings to life the Bible's 'Bad Girls'-- notorius women we love to hate. Exploring lives filled with betrayal, deception, rejection, jealousy, and exploitation. Essex looks beyond the notoriety to show us women of exceptional boldness, courage, determination, and independence. These stories tell us about women we know--women not that different from ourselves

  • Sales Rank: #709706 in eBooks
  • Published on: 2011-10-28
  • Released on: 2011-10-28
  • Format: Kindle eBook

About the Author
BARBARA J. ESSEX is an ordained United Church of Christ minister and independent consultant, speaker, and life coach. She earned her M.Div. from Garrett-Evangelical Theological Seminary and M.A. from Northwestern University. She is a bestselling author of The Pilgrim Press, having written numerous books, including: the Bad Girls of the Bible and Bad Boys of the Bible series; 52 Ways to Ignite Your Congregation?Bible Study (2012); Bold and Brazen (2010); Krazy Kinfolk (2005); and Misbehavin? Monarchs (2006).

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Senin, 27 Mei 2019

Free PDF The Piano Master Classes of Franz Liszt, 1884-1886: Diary Notes of August GöllerichFrom Indiana University Press

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The Piano Master Classes of Franz Liszt, 1884-1886: Diary Notes of August GöllerichFrom Indiana University Press

The diaries of August Göllerich, secretary and student of Franz Liszt, provide a first-hand account of the Master’s approach to piano teaching, his preferences and prejudices both musical and social, and his way of encouraging and befriending his students. They contain the mature Liszt’s suggestions for interpreting his own works and those of his friend Chopin and of many other composers, offering invaluable advice from the most spectacular pianist of the 19th century. Pianists interested in the history of performance practice and the Romantic era will learn from and take delight in this volume.

  • Amazon Sales Rank: #423240 in Books
  • Published on: 2010-06-11
  • Released on: 2010-06-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .56" w x 6.12" l, .71 pounds
  • Binding: Paperback
  • 224 pages
Features
  • ISBN13: 9780253222732
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review

"A useful contribution to documentary evidence of study with master pedagogues." ―Piano and Keyboard

"Notes were taken during more than 100 classes and include Liszt’s ideas, sayings, teaching methods, and interpretive suggestions. The notes are impressive because of the breath of works studied and the intensity Liszt displayed while teaching." ―The American Liszt Society, Inc., Newsletter

"An unbelievable source of knowledge and thus indispensable... Belongs with the most important [diaries] in the Liszt literature." ―Lizst Saeculum

"[Liszt] gives practical tips, drawn from a well of experience sans pareil... demonstrates how to project second-rate music (a Rubinstein concerto)... [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)." ―Times Literary Supplement

"This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers." ―Fernando Laires, President Emeritus, American Liszt Society

"The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time... Recommended for upper-division undergraduate and graduate collections." ―Choice

"These journals... are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes." ―International Piano Quarterly

"... should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material... and to those interested in the performing traditions from the great age of Romantic pianism." ―Notes

"If one could go back in time and space, I feel sure most pianists, musicians and lovers of music would desire to go back to [Liszt’s] time and study with this great personality―but we cannot. However in this book you have it all." ―Keyboard Teacher

Language Notes Text: English (translation) Original Language: German

About the Author

Richard Louis Zimdars is Despy Karlas Professor of Piano at the Hodgson School of Music at the University of Georgia. He is translator and editor of The Piano Master Classes of Hans von Bülow: Two Participants' Accounts (IUP, 1993).

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Senin, 20 Mei 2019

Free Ebook Crime and Punishment: Pevear & Volokhonsky Translation (Vintage Classics)

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Crime and Punishment: Pevear & Volokhonsky Translation (Vintage Classics)

From Publishers Weekly

An acclaimed new translation of the classic Russian novel. Copyright 1993 Reed Business Information, Inc.

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Review

“The best [translation of Crime and Punishment] currently available…An especially faithful re-creation…with a coiled-spring kinetic energy…Don’t miss it.” –Washington Post Book World “This fresh, new translation…provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevsky’s tale achingly alive…It succeeds beautifully.” –San Francisco Chronicle “Reaches as close to Dostoevsky’s Russian as is possible in English…The original’s force and frightening immediacy is captured…The Pevear and Volokhonsky translation will become the standard English version.”–Chicago Tribune

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Product details

Series: Vintage Classics

Paperback: 565 pages

Publisher: Vintage; Reprint edition (March 2, 1993)

Language: English

ISBN-10: 0679734503

ISBN-13: 978-0679734505

Product Dimensions:

5.2 x 1.2 x 8 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

3,140 customer reviews

Amazon Best Sellers Rank:

#4,754 in Books (See Top 100 in Books)

The two popular translations of ‘Crime and Punishment’ before the 1993 translation by Richard Pevear and Larissa Volokhonsky, were by Constance Garnett and David McDuff. The Pevear/Volokhonsky translation became my favourite – until Oliver Ready’s translation came along. Not knowing a word of Russian, I declare my favourite only by the enjoyment I derived from reading the book in English.Many things may indeed be lost in translation, and many others get misrepresented but we may not know. The result of reading only the English versions is that one’s choice is largely subjective. Compared to the Garnett version, the Pevear/Volokhonsky translation seems very modern – until Ready’s came along. Little things like changing ‘had not’ to ‘hadn’t’ renders Ready’s version not only a little more modern but also more informal. That is not to say that the atmosphere of old Russia is lost. Ready uses ‘fibs’ for ‘lies’ (Pevear/Volokhonsky) in one passage.Ultimately, the reader has to decide for himself which style he enjoys more. Here is a comparison from one of my favourite passages (there are many) from the book. I set out first the Pevear/Volokhonsky version then the Ready version:“What do you think?” Razmumikhin shouted, raising his voice even more. “You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie- you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without lying fourteen times or so, maybe a hundred and fourteen, and that’s honourable in its way; well, but we can’t even lie with our minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second – no better than a bird. The truth won’t go away, but life can be nailed shut; there are examples. (Pevear/Volokhonsky)‘Now what are you thinking?’ cried Razumikhin, raising even more. ‘That it’s their lies I can’t stand? Nonsense! I like it when people lie. Telling lies is humanity’s sole privilege over other organism. Keep fibbing and you’ll end up with the truth! I’m only human because I lie. No truth’s ever been discovered without fourteen fibs along the way, if not one hundred and fourteen, and there’s honour in that. But our lies aren’t even our own! Lie to me by all means, but make sure it’s your own, and then I’ll kiss you. After all, lies of your own are almost better than someone else’s truth: in the first case you’re human; in the second you’re just a bird! The truth won’t run away, but life just might – wouldn’t be the first time.Ready’s version has a table of chronological events and a fresh, inspiring introduction that will help the first-time reader understand and appreciate the context of ‘Crime and Punishment’

I do not know what my review can add to the Brothers Karamazov, but I will put in a few of my words. I have now read this book six times through and every time I am simply amazed at the complexity of vision that Dostoevsky brought to the page. My copy of the book is littered with page numbers written in the margins that connect the dots between all of the recurring scenes, ideas, images, phrases, and philosophies. It has taken years of sustained thought to be able to draw all of these connections, which makes it somewhat unbelievable that Dostoevsky was able to write it in the time frame that he did. Because of this, though, I have found this translation to be the only reasonable choice for the serious student. Many earlier translations ironed out potentially awkward phrasings, and thereby destroyed the parallelism that was being masterfully established.I have shed so many tears on the pages of my copy of this book that I am surprised it is still holding up as well as it is. There is a sensitivity and beauty to this text that I have never been able to find anywhere else, even in other works by Dostoevsky. It is, quite simply, the most masterful examination of agape (active love), faith, and justice, and redemption that I have ever encountered in my life, in philosophy, history, literature, film, or otherwise. There are no words to offer that can capture how profoundly this book has changed me for the better.

Most people know that The Brothers Karamazov is an amazing novel, so I will only be criticizing the translation; however, I haven't read any other translations to verify my knowledge on the subject, and I would suggest going getting samples of different translations in order to best suit your needs.The Richard Peaver & Larissa Volokhonsky translation of The Brothers Karamazov is good. It's being marketed as the best, but it really isn't. There is not a 'best' translation of Dostoyevsky, or really, any other Russian author I've researched; no, there isn't a 'best' translation of a book that I know of. To my understanding the Peaver translations usually stick incredibly close to the original source material, which is a double edged sword; most people want a translation that doesn't loose something or other in translation. This one is very close to doing so, but as I said it's a double edged sword; they leave in the syntax, and a very foreign syntax at that. This can cause problems for a casual reader, but it wasn't a problem for me. What really matters is the readers personal preference. I will add the first sentence of the P&V, McDuff, and Garnett translations to see which one you'd most like:"Alexei Fyodorovich Karamazov was the third son of a land owner from our district, Fyodor Pavlovich Karamazov, well known is his own day (and still remembered among us) because of his dark and tragic death, which happened exactly thirteen years ago and which I shall speak of in its proper place." - P&V"Aleksey Fyodorovich Karamazov was the third son of a landowner in our district, Fyodor Pavlovich Karamazov, so noted in his time (and even now still recollected among us) for his tragic and fishy death, which occurred just thirteen years ago and which I shall report in its proper context." - McDuff"Alexey Fyodorovich Karamazov was the third son of Fyodor Pavlovich Karamazov, a landowner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place." - GarnettMoving on to the edition I have. It's ISBN is 978-0374528379, but it is the best selling edition as of 8/1/2017; you probably won't have any trouble finding it. This paperback is a great durable edition. I kept it in my backpack for school each day for basically the entire second semester without too much serious wear (check the photos to judge yourself). The font is big enough to read well without straining your eyes... or at least it was for me. It's still holding together nicely is what I'm trying to say. The binding is glued, too; if you didn't know. This edition has a cover in which I will describe as rough-soft feeling; I enjoyed holding it in my hands.Finally, sorry for the poor camera quality. The soda can piece is there to show how big the text is in comparison. The torn piece on the back is from a mishap I am accountable for not the book, although it says something about the books durability; it happened near the end of my usage with it.

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